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May 24 2017

7 First Impressions of London, England
(From a Street Photography Perspective)

London regularly tops the list as the most visited city in the world, but even with all my travel, I had yet to be one of those many visitors. I made sure to change that in 2016 so during the summer I gave London an extended stay to get to know the city as much as possible. With so many street photographers in London, and the power of social media and this blog, I was able to meet up with more locals than any city to date. One of them, talented local photographer Dmitry Stepanenko, was especially kind enough to show me all over his city multiple days. London is packed with things to see and places to explore for street photography so it was great having some local guidance to maximize my time here.

From the West End to the East End, London has something for everyone. The city is filled with familiar landmarks, but it’s also filled with a variety of neighborhoods, each with their own character. It’s a diverse, multicultural working city with a blend of the past and present. As large and populated as it is, it doesn’t have the overwhelming feeling of a New York or Tokyo, yet has just as much to see and experience. London is immersed in history and antiquity mixed with a young, urban vibe. It’s London and there’s no place like it.

So here are my first impressions of London, from my personal Street Photographer perspective…

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Written by f.d. walker · Categorized: Featured File, Files, First Impressions, Shooter Files Series, Street Photography, Travel, Travel Photography

May 17 2017

City Street Guides by f.d. walker:
A Street Photography Guide to
Stockholm, Sweden

stockholm-guide-cover

*A series of guides on shooting Street Photography in cities around the world. Find the best spots to shoot, things to capture, street walks, street tips, safety concerns, and more for cities around the world. I have personally researched, explored and shot Street Photography in every city that I create a guide for. So you can be ready to capture the streets as soon as you step outside with your camera!

Stockholm

[Read more…] about City Street Guides by f.d. walker: A Street Photography Guide to Stockholm, Sweden

Written by f.d. walker · Categorized: City Street Guides, Featured File, Files, Guides, Shooter Files Series, Stockholm, Street Photography, Sweden, Travel, Travel Photography

May 09 2017

33 Street Photography Photos from One Week in Paris, France

After Amsterdam and a short train ride, came city #35 Paris, France on my 100 Cities Project. Commonly recognized as the birthplace of street photography, there’s no city as romanticized and photographed as Paris. The truth is there are plenty of sides to the city that you don’t see in most of the photos, though. With so much character, Paris still manages to give you plenty of material to capture. 

So here’s 33 photos that I was able to capture during my time in Paris…

[Read more…] about 33 Street Photography Photos from One Week in Paris, France

Written by f.d. walker · Categorized: 33 Street Photos, Featured File, Files, France, Paris, Photos, Shooter Files Series, Street Photography, Travel Photography

May 02 2017

7 First Impressions of Paris, France
(From a Street Photography Perspective)

After a week in Amsterdam, next on the 100 city project list was a train down to Paris, France. After an easy 3 hour ride, I was in the middle of the most romanticized city of all. For many, Paris is the ultimate city. Full of beauty, history, culture, romance and style. For some, though, finding out that Paris isn’t always the beautiful city they imagine can give different impressions. For me, I appreciate that edgier side of Paris mixed in with its famous atmosphere. It is touristy, crowded and as photographed as any city in the world, but all that Paris brings more than makes up for it. Long been a center for artists and writers, in addition to tourists, it draws people in for a reason and is a city everyone must visit, including photographers.

Paris is also considered the birthplace of street photography, conjuring the classic black & white street photos of the past. With so much timeless and recognizable scenery in the city, you do have to watch out for the cliché. But luckily, Paris is so rich visually with street photo opportunities that there’s still plenty to capture. And beyond the romantic exterior, there’s a different side to the city that provides even more opportunity for something different.

So here are my first impressions of Paris, from my personal Street Photographer perspective…

[Read more…] about 7 First Impressions of Paris, France (From a Street Photography Perspective)

Written by f.d. walker · Categorized: Europe, Featured File, Files, First Impressions, France, Paris, Shooter Files Series, Street Photography, Travel, Travel Photography

Apr 24 2017

City Street Guides by f.d. walker:
A Street Photography Guide to
Moscow, Russia

moscow-guide-cover

*A series of guides on shooting Street Photography in cities around the world. Find the best spots to shoot, things to capture, street walks, street tips, safety concerns, and more for cities around the world. I have personally researched, explored and shot Street Photography in every city that I create a guide for. So you can be ready to capture the streets as soon as you step outside with your camera!

Moscow

[Read more…] about City Street Guides by f.d. walker: A Street Photography Guide to Moscow, Russia

Written by f.d. walker · Categorized: City Street Guides, Featured File, Files, Guides, Moscow, Russia, Shooter Files Series, Street Photography, Travel, Travel Photography

Apr 13 2017

StreetFoto San Francisco:
7 Questions with Ken Walton

  • What: StreetFoto International Street Photography Festival
  • Where: San Francisco at the Harvey Milk Photo Center
  • When: June 5th-11th, 2017 (Contest Deadline Extended: April 30th, 2017)

We’re coming closer to StreetFoto San Francisco’s 2nd annual international street photography festival. While the big event takes places June 5th-11th, the deadline for entering their contests is only 2 weeks away on April 26th (Extended to April 30th). I was honored to be a finalist last year with the photo below and enjoyed seeing this festival become one of the premier street photography events in the world. In anticipation of this year’s edition, I spoke to photographer and festival organizer, Ken Walton.

StreetFoto 2016 Finalist: Forrest Walker, United States (Me!)

I’ve actually had the chance to meet Ken multiple times traveling because he travels quite a bit himself. First in London and then at the Brussels and Miami street photography festivals last year. An awarded photographer in the genre himself, I can guarantee he puts 100% into making the StreetFoto San Francisco festival the best it can be and has a talent for putting it all together. The first year was a big success from everything I’ve heard and seen, but this second year looks to be even better (Bruce Gilden’s involved). So to get ready for the big event, here’s a short interview about the festival with Ken, along with winning photos from last year and links for all the activities coming this year.

StreetFoto San Francisco: 
7 Questions with Ken Walton

First off, since you’re the creator and organizer of StreetFoto San Francisco, tell us a little about yourself, including what attracted you to street photography.

I’m a single dad living in San Francisco. I left the video game industry a few years ago, had some time on my hands, and got obsessed with street photography after I watched the Vivian Maier documentary. I’d always had an artistic bent and an eye for design, and I felt like I found the perfect way to express it in photography. I’ve been at it non-stop since then.

Photo by Ken Walton

Can you tell us the idea behind the festival and how creating an event like this started out?

After I fell in love with street photography I wanted to create something related to it that was bigger than just me. I didn’t want to just keep making and sharing my own photos, I wanted to build something more significant, and I decided a festival was a good way to foster community and contribute to the state of the art. My dream is for it to be come an enduring cultural institution. We’re going into year two, so we have a good start, but a long ways to go.

StreetFoto 2016 First Place: Craig Buchan, Scotland

You’ve traveled and shot photography in a variety of places, what makes San Francisco a unique and special place to shoot in compared to other cities you’ve been?

San Francisco has good light, urban density, and a variety of types of people interacting in many different environments. But a lot of other cities have these things, right? I think what makes this place special is the fact that there are more oddballs here than just about anywhere else. There’s a surprise, or a surprising person, around every corner. A look at Troy Holden’s photos illustrates this well.

StreetFoto 2016 Second Place: Pau Buscato, Spain

Since this will be the festival’s second year, what did you learn from the first one and what improvements/changes are you looking forward to for 2017?

I wish I could say I learned to get started 9 months in advance, but that’s a lesson I should have learned but didn’t. I think the main difference this year is that we have a better idea of how many people are going to participate, which lets us take a few more risks and commit more revenue to the speakers, venues, and exhibits. We have a new home at the Harvey Milk Photo Center and we’ll be doing more offsite shows and pop-up exhibitions.

StreetFoto 2016 Third Place: Marin Ryczik, Poland

What special guests and judges will you be featuring this year?

Our most well-known guest and judge this year is Bruce Gilden, and we’ve also got Janet Delaney speaking on Saturday night. We’ll also have a number of members of iN-PUBLiC attending and taking the stage, although that hasn’t all been scheduled yet. Most of our jurors this year are from the iN-PUBLiC collective, including Nick Turpin, David Gibson, Maciej Dakowicz, Graciela Magnoni, Aaron Berger, and Jesse Marlow.

StreetFoto 2016 Series First place: Chris Suspect, United States

Bruce Gilden is a larger than life name in the street photography world today. What was your reason for going after Bruce and how did that come about?

Bruce’s workshops are legendary, so he’s been at the top of my list since I started the festival. This year we were able to book him by partnering with Magnum Photos. He’s controversial for obvious reasons, but I think it’s good to get people talking, and he’s bound to draw more attention to the festival.

If someone was planning on traveling to this festival, what advice or tips would you give them?

Book early. Hotels here are expensive, so shop around, consider sharing, and remember Airbnb (or a friend’s couch) as options. A good, inexpensive hotel near the festival is Metro Hotel. If you can’t find a room available there for your whole stay, call then, as they may be able to let you switch rooms mid-way through your trip. Also, have Uber and Lyft installed on your phone, as they are good inexpensive alternatives to transit for getting around this city. Renting a car is probably not a good idea unless you’re planning to take long trips outside San Francisco.

StreetFoto 2016 Series Second Place: Dmitry Stepanenko, England

Thanks to Ken for the interview and I’m definitely looking forward to this year’s festival. For more info, click the links below, and don’t forget to enter your photos by April 26th, 2017.

StreetFoto 2016 Series Third Place: Sam Ferris, Australia

Links:

Website: StreetFoto.org

Festival Info

2016 Finalists

Workshops

Enter Contests (Deadline Extended: April 30th, 2017)

Video:

 

Written by f.d. walker · Categorized: Featured File, Files, Interviews, Street Photography

Apr 11 2017

33 Street Photography Photos from One Week in Amsterdam, Netherlands

After stopping in Stockholm and Copenhagen, I made my way out of Scandinavia and down to Amsterdam. The city is known for its free and sinful side, but I also enjoyed it’s more peaceful side walking the many canals with my camera. For street photography it’s a unique experience and wide mixture of character. From canal parties to picnics, bicycles and flowers to coffee shops and red light windows, there’s no place like Amsterdam.

So here’s 33 photos that I was able to capture during my time in Amsterdam, Netherlands…

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Written by f.d. walker · Categorized: 33 Street Photos, Amsterdam, Featured File, Files, Netherlands, Photos, Shooter Files Series, Street Photography, Travel Photography

Apr 03 2017

7 First Impressions of Amsterdam, Netherlands
(From a Street Photography Perspective)

After passing through a couple of cities in Scandanavia, I took an overly complicated train ride down to Amsterdam, Netherlands from Copenhagen. It was a city I’d experienced many years ago, but never really with my camera. For me, Amsterdam has two very different sides and experiences depending how you want to enjoy it. There’s the crazy, anything goes side it’s famous for with the red light district, coffee shops and partying. Yet, there’s also a very scenic, calm and beautiful side to the city. Canals, bridges, boats, bicycles, flowers, charming seventeenth-century homes and even plenty of quiet. You don’t hear about this side as much as the other, but it’s just as much there.

For street photography, this means you can experience and capture a diverse mix of characteristics. Either way, Amsterdam is one of the more unique cities around and makes for a great city to walk around with your camera.

So here are my first impressions of Amsterdam, from my personal Street Photographer perspective…

[Read more…] about 7 First Impressions of Amsterdam, Netherlands (From a Street Photography Perspective)

Written by f.d. walker · Categorized: Amsterdam, Europe, Featured File, Files, First Impressions, Netherlands, Shooter Files Series, Street Photography, Travel, Travel Photography

Mar 28 2017

7 Tips on Layering in Street Photography

For this blog, I have set up a Readers’ Requests Page for anyone to comment requests for posts, topics, changes or additions they’d like to see here on Shooter Files. I’m also starting a Reader’s Requests Post Series from these suggestions. If I write a post from your suggestion, I’ll credit you and include any link of your choice in the post as a thank you.

So, the first Reader’s Requests Series post comes thanks to Manthan Patel.

Manthan Patel’s Request: “I would love to see an article on layering techniques used in street photography.”

Manthan Patel’s Link: instagram.com/photosbymanthan

 

7 Tips on Layering in Street Photography

Layering scenes with multiple subjects across different depths of field across the frame is a popular theme in photography. Alex Webb is one well-known photographer when it comes to this style. Having multiple points of focus can create more interest and draw the viewer in, while forcing them to scan over the whole photo to see everything. Sometimes it can create a more complex story in the viewers mind or give them a more complete feeling of the scene, moment and mood. Layering in itself doesn’t make a good photo, but it can add to a photo to make it better.

Quito, Ecuador 2017

There’s much more to it than just putting elements across the frame, though. You still want strength at its core, be that a primary subject, visual feeling or moment. There are no rules in photography, or in layering, but here are some tips that should help improve your photos if you’re trying to focus on layering.

Barcelona, Spain 2016

1. Number of Subjects & “Grounds”

A composition is generally divided into three planes. The foreground, middle ground, and background. The foreground appears closest to the viewer, the background appears furthest, while the middle ground is located between them. As the photographer, you’ll be able to see these distances when making the photo, but the viewer of the photo will feel these planes due to scale, depth and how you make the photo. While you can have more layers than this, these 3 primary “grounds” are the minimum you’ll want to include to really get a feeling of layers. They also help divide and organize any additional layers in your scene.

In order for a photo to clearly show all 3 “grounds,” they all need to include an element or subject that brings focus and separation to that plane. This is true for additional layers within each plane too. For many, the more subjects, the better, as long as there’s separation. I don’t believe this is always true, specifically when additional elements don’t really add anything. But generally speaking, layered shots do work well when they can contain many subjects in a well composed frame. It’s one thing that makes layered photos so interesting to look at.

Moscow, Russia 2016

Another way to bring out separation between your “grounds” and layers is to use a wide-angle lens. The longer a lens, the more compressed the elements and layers will show in the photo. A wide-angle lens (<35mm), does the opposite, really making the viewer feel and see the different layers.

Havana, Cuba 2016

2. Look Through Entire Frame

One of the biggest difficulties with layered shots is all the information you have to think about when framing the scene. While true with any photo, it becomes even more important to look through the entire frame when making the photo. You don’t just have a subject and background. You have multiple subjects, “grounds” and a good chance they’re not all static. So look across all of your layers and see how you can put it all together in a timed shot that organizes the chaos into a filled, yet clean frame.

Kathmandu, Nepal 2016

You want to avoid overlaps and mess. You want the layers and subjects to stand out on their own. And you want the scene to come together into layered beauty.

3. Get Close

When working with a multi-layered shot dealing with many subjects and elements, you might feel the need to stay far back to fit it all in. This can remove the intimacy and feeling of being in the layered scene, though. In return, removing most of the effect layers can have on the viewer. Shoot far away and most scenes will have layers in them, you just won’t feel them, as the layers blend together. The closer you get, while containing the layers in the frame, the stronger and more pronounced the layers will look and feel. The scaled size of the layered elements and wide angle’s effect bring focus to the different layers’ distance, bringing the viewer into the scene.

Barcelona, Spain 2016

4. Foreground is Important

By getting close, the foreground becomes very important in a layered shot. In my opinion, it’s what makes or breaks the shot as much as anything. Without a strong foreground element, the layered shot usually feels missing. Even if the other layers are strong.

Marrakech, Morocco 2015

So you first want to make sure you have a strong foreground subject and then make sure you really put it into the foreground. When using a wide lens, it can feel like you were close enough to it, but then when you look at the photo later, it doesn’t really feel like it’s in the foreground. So make sure to get close and put it where it feels like it’s up in front of the viewer.

Hanoi, Vietnam 2016

5. Still Needs Interest

Just because you have tons of layers and subjects all organized nicely into a frame doesn’t guarantee you’ll have a great photo. Like with any photo, you still need to capture interest. Without it, the layers will just feel like a formula.

London, England 2016

Examples of things to look for to include interest in your layers:

  • Look for a primary subject, which the other elements can help support. Maybe you see an interesting character, but instead of just focusing the frame on them, you can include other elements to add to the scene and main subject.
  • Look for gesture, which can really bring a layered shot to life. Gesture not only creates interest, but brings focus to the different layers.
  • Look for something happening, an action or moment. Maybe something is going on in the foreground, middle ground and background that can come together yet stay separate.
  • Gesture, action or moments across different layers can come together to tell a complex story from the scene (at least created in the viewer’s mind).
  • Look for light, shadow or color. Layers of these elements can paint a beautiful picture when brought together.
Moscow, Russia 2016

Layers are a way to organize interest into a photo, but remember, you still need interest to begin with. Capture interest, not a formula.

6. Wait for another layer to complete the frame

When going for layered scenes, a bunch of layers perfectly organized probably won’t just appear without some thought and patience. Many times you’ll spot a nice scene with some layers, but it won’t feel complete yet. This is when you see what else might complete it.

Odessa, Ukraine 2016

Maybe just moving or changing the angle can add to another layer. Or Maybe you have the foreground and midground you want, but need something in the background. Look outside the frame and see what might enter. Patience and instincts are very important when it comes to layers.

Saint-Petersburg, Russia 2016

7. Where to focus?

If you have a layered shot where you need to get up really close to the foreground subject, you might question where to focus the frame. Since you’re putting visual importance on all the layers, do you really want the background to be out of focus just so the foreground is clear. Or do you focus on the middle so it and the background are clear, while the foreground keeps some blur?

This one is really up to you. Some feel the foreground is most important when it comes to focus, while others will sacrifice a little foreground blur to make the rest of the scene clear. I zone focus, but might bring it in a little if I feel the need to get extra close, but I try not to overdo it. The importance you feel for each subject can also help you decide how you want to focus.

Chennai, India 2016

Another thank you to Manthan Patel for his request on layering. Hopefully, some of these tips can help you improve your layering or expand your possibilities when it comes to street photography. Again, there are no rules or magic formula to photography, but there are ways to help capture what you want to see, or see things you never saw before. Layering is just another way to do it.

If anyone has their own request for a post, please share it here!

 

Saint-Petersburg, Russia 2016

 

Written by f.d. walker · Categorized: Featured File, Files, Readers Requests, Shooter Files Series, Street Photography, Tips, Travel Photography

Mar 22 2017

20 Questions in Saint-Petersburg, Russia with Ilya Shtutsa

*A new interview series with a play on “20 questions,” where I try to mix it up with different questions. Some serious, some not so much. I’ll also be focusing the series on some of the best street photographers from the cities I visit around the world during my 100 Cities project.

At the beginning of last summer, I spent a couple of weeks in Saint-Petersburg, Russia. The White Nights Festival falls during the summer, when the long days of sunlight bring the beautiful city to life, making it an amazing time to visit this remarkable city. It ended up being one of my favorite cities I’ve visited during my 100 cities project so far, and also gave me the chance to meet and go shooting with local photographer Ilya Shtutsa.

Ilya is a member of the Observe Collective and his work is an excellent representation of the magic this city has to offer street photography. Finding the extraordinary from the ordinary is an overused saying in this genre, but that is exactly what he does. His scenes have a sometimes surreal, almost magical, look to them. Ilya captures complex and interesting, often unusual, scenes from daily life in Saint-Petersburg. They’re scenes you probably haven’t seen before and they’re captured with an interest in light and color that really brings them to life. There’s plenty to look at, with a painting like quality to it all in many of his images. 

So now to learn more about him, it’s time for 20 Questions in Saint-Petersburg, Russia with Ilya Shtutsa…

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Written by f.d. walker · Categorized: 20 Questions, Featured File, Files, Interviews, Russia, Shooter Files Series, St. Petersburg, Street Photography

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