*An interview series with a play on “20 questions,” where I try to mix it up with different questions. Some serious, some not so much. I’ll also be focusing the series on some of the best street photographers from the cities I visit around the world during my 100 Cities project.
The beginnings of my Major Cities project started almost 4 years ago while I lived in Istanbul, Turkey. This amazing city was not only the first city I included in my project, but 86 major cities later, it’s still at the top of my list of cities in the world for photography. While living there, I met and became friends with a local photographer by the name of Kerem Nasipoglu, one of the most passionate and involved street photographers in Istanbul, which is saying something. And being the first city on my project, I realized I never interviewed a local photographer from the city so I could think of no one better than Kerem to have for this city’s installment of 20 Questions.
While being very involved in the street photography community, Kerem’s street work blends with a strong interest in social documentary work. Documenting daily life as it happens and finding stories within it all is what interests him the most. Discovering these moments and differences from what surrounds him as he walks the streets of Istanbul daily really drives his passion and you can see it in his work.
So now to learn more about him, it’s time for 20 Questions in Istanbul with Kerem Nasipoglu…
20 Questions with Kerem Nasipoglu
Before we get to the 20 questions, please introduce yourself. Your name, where you’re from and one interesting thing about you?
Past:
1. What is your earliest memory of photography?
2. What do you think drew you to your preferred subjects in photography?
3. What advice would you have given yourself when first starting in photography?
Check the work of famous documentary photographers and shoot daily. Two things that improve my photography most over years. And travel more.
Present:
4. How would you describe your photographic style and what you look to capture?
When I first started, I wasn’t sure what I was photographing. I was just pressing the shutter button and hoping to make a nice image. Later, I started looking for things before photographing, like a nice background, or some other visual signs. Now, I mostly concentrate on creating a nice narrative. A photo that tells a story. I still do mind the composition of a photograph, but i find out that there are more important things than that.
5. Describe how you approach photography when out shooting?
6. Inspiration. Where do you personally find it and how important is it to you as a photographer?
Inspiration is quite important for my work. When i see an interesting shot from a photographer, I try to imitate it first. Then i think about how to improve that image. I study other photographers work to improve my photography. I never post those photos that I copy, but i try to create a collage of ideas. Designers and artists are also a source of inspiration for me. And my friends do inspire me!
Not So Serious Questions:
7. You get one superpower for photography, what would it be? (You can’t choose invisibility!)
Spider instinct, so that I can predict moments before they happen. “Oh, my spider instinct says that that couple are about to kiss and that dude behind is going to throw his cigarette, I should take its photo!” What a nice super power…
8. You also get 3 photography related wishes, what are they?
- Unlimited miles for traveling
- Having a solo exhibition
- Publishing my book
2 Speed Rounds (Give the first answers that come to mind!)
This or That:
9. Instincts or Planned?
10. Raw Reality or Altered Reality?
Altered reality
11. Take Photos for Yourself or Others?
Others
Name 3:
12. Inspirational Photographers (Past or Present)
- Joel Meyerowitz
- Nikos Economopoulos
- Martin Parr
13. Photography Books
- In the Balkans – Nikos Economopoulos
- The Last resort – Martin Parr
- Istanbul: City of Hundred Names – Alex Webb
14. Places you wish to visit for photography
- India
- Thailand
- New York
Your City:
15a. Where do you like to photograph most in your city, Istanbul, and why? (You’ve said that Istanbul shaped your photography in a different way. How so?)
Three years ago, I made a decision to move to the center of Kadıköy, a neighbourhood in Istanbul that I was born and lived over thirty years in. I make a living by creating content, so I have limited time to spare on my photography and my decision made me concentrate mostly on photographing Kadıköy. Documenting Kadıköy is really important to me. Right now, I moved to the outer districts of Kadıköy, near to the seaside. This will definitely effect my photography and my style.
Kadikoy represents the secular part of Turkey, which we’re loosing day by day because of the policies of the government. So, it’s really important for me to document Kadıköy, a place that I’ve spent most of my life.
Istanbul is a lovely place to do street photography. For example, I lived in Berlin for nearly three months and I realised that if I was born in Germany, I’d definitely choose another genre of photography. But it’s a real joy to document the daily life in Istanbul. People’s reactions, scenes the city provides and so on…
15b. For that short period, you moved to Berlin for photography, what did you think of this experience?
Berlin was a great experience. Now, if I had the same opportunity, I’d definitely choose a different place to concentrate on my photography for sure, but still, in Berlin I learned to be brave and break my comfort zone. Another thing that I did during my stay in Berlin was traveling Eastern Europe. Me, my backpack and my camera, shooting in the streets for fifteen days.
You:
16. On your website you say you have an “obsession of documenting reality.” What is it about both reality and documenting it that you have an obsession with?
Well, I still have an obsession of documenting, but i think I am not really interested in reality anymore. What is reality and how much of what we’re experiencing is real? Reality has lost its meaning for me, so I think I need to redefine my approach to the photography.
My obsession with documenting started when I was studying at the university. An article that a famous feminist wrote inspired me. In the article she was advising women to write diaries, so that you can be immortal. I like the idea of being immortal, but I decided to be immortal by using a different tool, a camera. I wanted to show people where and how I live my life. I still like the idea, being immortal.
17. For one year you successfully did the 365 picture a day challenge. How did you find that experience and what do you feel you got out of it?
It was a challenging experience, but definitely changed my style for good. First of all, after the project I got the habit to carry my camera with me all the time and shoot daily. I feel really uncomfortable when I don’t have my camera with me. Another thing is getting the most from an ordinary scene. I strongly recommend everyone who can’t find time to photograph to start their 365 project.
18. You run a popular blog in Turkish called Sokak Hikayeleri. Tell us a little bit about this project.
There is a lack of source about street and documentary photography in Turkey. Not everyone speaks English here so only a few photographers can follow what’s going on around the world about street and documentary photography. So, I decided to create this source called Sokak Hikayeleri (Street Narratives). I curate inspirational photographs, write about the techniques that I learned and use in the streets and so on.
Behind a photo:
19. Pick a photo of yours that you remember capturing and share any memories you have attached to it.
The Final Question:
20. You have only 3 photos left on your last roll of film.
- In the first direction, you see some children doing back flips at the park
- In the second direction, you see a line of fashion models walking through the market
- In the third direction, you see a few workers carrying large mirrors under their arms
- And in the last direction, you see a political rally gaining tension
The light is perfect at all 4 locations. What do you do?
I am sure that all those options would provide nice images, but for my taste I’d go with the children doing backflips and spend all three shots there. I think I have a better chance to get a photo to my liking in that situation.
Another big thank you to Kerem for the interview, and for anyone who would like to see more of his work, check the links below!
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