Street Photography Tips, Interaction, Travel, Guides
After Riga came major city #56 Almaty, Kazakhstan on the 100 City project. I’ll be discontinuing the 33 photos series on the blog soon, but I’ll explain why along with exciting details on something new I have planned in an upcoming post. For now, though, I’ll share a couple more additions of this long-time series here on Shooter Files.
So, here’s 33 photos that I was able to capture during my time in Almaty…
*A series of guides on shooting Street Photography in cities around the world. Find the best spots to shoot, things to capture, street walks, street tips, safety concerns, and more for cities around the world. I have personally researched, explored and shot Street Photography in every city that I create a guide for. So you can be ready to capture the streets as soon as you step outside with your camera!
Hey everyone, I have an exciting announcement. Starting today, I have a limited run of prints for sale for a limited time. Due to a busy 2018, I was unable to hold my annual New Year Print Sale, so I’ll be holding a Spring Print Sale for this year’s edition (a selection of images never available previously).
I hold these limited print runs once a year for one week so there won’t be another chance after the week ends. Most prints are only 1 of 1 so first come, first own. They all run in a 11″x14″ (28x36mm) size, but this year will be the first time I’m also running a few at a larger size of 16″x24″ (41x61mm). I’ll gift a free signed 8″x10″ for every 2 prints ordered (or 1 larger) as an extra thanks.
They’ll never be available again in this size and print, or at this price. They all come signed and numbered on the back (shipped in protective packaging). Sale will only be going for a week before I get back on the road again for the year to finish off my 100 major cities project. Get them while you can and thanks for looking!
Check out the link below to see all the prints available (25) and order:
(Sale ends 4/07/2019)
Thanks again!
– Forrest
Specials:
* “Master Profiles” is a series profiling all the great photographers of uncontrolled life. Unlike the rest of the blog, I’m doing these in a straight profile format to make it easy for quick access to facts, quotes and knowledge on all the masters. I’ll also group them together here every time I add a new one.
Trent Parke (1971-Present)
Australian photographer known for his way of capturing brilliant light showcasing his home country with a unique vision.
After Seoul came major city #55 Riga, Latvia on the 100 City project. I’ll actually be discontinuing the 33 photos series on the blog soon, but I’ll explain why along with exciting details on something new I have planned in an upcoming post. For now, though, I’ll share a couple more additions of this long-time series here on Shooter Files.
So, here’s 33 photos that I was able to capture during my time in Riga…
Street Light is a bi-monthly series where I showcase photography work to purchase that might not have as much visibility or large production numbers. From smaller run-offs and zines to books and crowdfunding campaigns, I’ll try to feature selections of mostly newer work that you’re not as likely to find in bookstores everywhere. Hopefully, this can be a way to help talented photographers get their work seen for purchase, while also helping readers find great work they didn’t know was available. So, check here to find what’s out there, much of it before it’s gone. (All bi-monthly selections will be added to a permanent page, organizing them together so you can come check anytime)
And if you have a new photo book, zine or crowdfunding campaign, or if you’d like to recommend another photographer’s, please comment it below. (no e-books/e-zines, please)
(Selection information quoted from links)
DARK CITIES Trilogy, inaugural winner of the FIRST DRAFT Award by THEBOOKSHOW, is a series of three books of photographs re-imagining fringe spaces in the metropoles of Singapore, Tokyo and Seoul. CARPARK, first in the series, investigates the nocturnal meanderings of a dark multi-storey carpark in Singapore. CAPSULE, the second book, revisits a futuristic tower in Ginza built in the 1970s, through the imagined eyes and mind of its architect. The third book EULJIRO is a lost and found diary of a fading iconic Seoul district, once a symbol of the country’s modernization.
Co-published by Invisible Photographer Asia (IPA), DARK CITIES is the debut publication of Singapore-based architect and photographer Shyue Woon.
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Through 56 unconventional black and white photos, Alison McCauley shows her distinctive and offbeat view of the Cannes Film Festival. Walking the streets, rubbing shoulders with the famous on the red carpet or letting chance lead her in the streets of Cannes, Alison captures the essence of this global rendezvous of cinema.
In ANOTHER CANNES, reality meets the artifices of a multi-faceted environment, an environment often unseen by the general public. Moving away from all forms of classicism, Alison unveils another Cannes, a different Cannes and certainly a Cannes that has not finished surprising you and making people talk about it.
The images in this book were made by Ovidiu Gordan in Romania between 2007 and 2017. The book is 23×23 cm, 52 photographs and 108 pages.
Katil var means “there is a murderer”. According to many, that murderer is Recep Tayyip Erdogan, the president of Turkey.
A professed man of the people with multiple Swiss bank accounts and over $4,000,000 stuffed in shoe boxes. A man who ordered the police to tear gas thousands in Taksim, who weeps for a dead Egyptian girl and defames a dead Turkish boy. A man who steals and distributes opposition media to friends like candy. And a man who violates human rights to lock up Selahattin Demirtas, the most charismatic politician Turkey has seen in decades. Much of this is alleged of course. It can only ever be alleged.
Katil var. I first heard those words in the toxic and pivotal summer of 2013, during the Gezi park protests. Reverberating in and echoing around Taksim, Sisli, Okmeydani and Gazi Mahallesi. Words shouted with courage by the thousands of lithe youths that I had a crush on and wanted to be. Words painted on walls and quickly obscured with grey paint the next morning. Words that could only be voiced in the safety of a crowd.
Katil var. A photobook of what I saw between 2012 to 2015. The short period when Erdogan was at his most vulnerable, beginning with the lead up to Gezi, Gezi itself and covering the Soma mining disaster, the refugee crisis, Newroz festivals and culminating with the loss of the AKPs majority in the summer of 2015. A time perhaps predicted by Nazim Hikmet in his poem, Plea.
Katil var. My first and probably last photobook. It’s the result of nearly 40,000 shots with a Leica MP, llford HP5 and an oversized flash with a sticker of a heart on it. It’s the result of being detained and deported. It’s the result of friendships gained and even better friendships lost. And it’s the result of years of artistic insecurity, procrastination and of reconciling myself to loss.
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The long awaited sequel designed by Ben Molina and featuring B&W photographs by Matt Weber and COLOR photographs by Clay Benskin from New York City is now available for $20 with postage included ($10 extra for international shipping)
All copies are signed by both artists in silver paint!
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https://www.youtube.com/watch?time_continue=35&v=DpfMZn19eHY
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ALLFORMAT 3 from The AllFormat Film Photography Collective contains 68 pages, 54 images and an exclusive interview with Bryan Schutmaat.
AllFormat Members who contributed to this issue include:
If you have a new photo book, zine or crowdfunding campaign, or if you’d like to recommend another photographer’s, please comment it below…
Almaty, Kazakhstan comes in as major city #56 on my Major City project and here I’ll share a few first impressions exploring the city with my camera. Central Asia mostly attracts the more adventurous travelers attracted to the region’s nature and off-the-beaten-path atmosphere, but Almaty provides the easiest introduction to the region with its mix of influences and interests. You get the beautiful nature and mountainous backdrop mixed with Russia meets Asia influences, but you also get the most cosmopolitan and European flavor in Central Asia. Traditional markets and parks next to trendy cafes and bars, Almaty is full of interest and quirks that make it one of the more memorable and unique places I’ve hit during my 5- year project. While it will be one of the major cities people are least familiar with, it’s also one of the most recommendable so far.
So here are my first impressions of Almaty, from a personal Street Photographer perspective…
*A series of guides on shooting Street Photography in cities around the world. Find the best spots to shoot, things to capture, street walks, street tips, safety concerns, and more for cities around the world. I have personally researched, explored and shot Street Photography in every city that I create a guide for. So you can be ready to capture the streets as soon as you step outside with your camera!
This year brings more shake-up to the list than last year, with three new major cities pushing there way into the top.
Regarding my project and this blog, the number one question I’m asked is “What’s your favorite city for Street Photography?” From friends and family to strangers and emails. The truth is I can’t deal in absolutes or favorites with most anything, especially when it comes to answering that one. There are things I like about most cities that make them memorable in their own way, and there are too many dependents for me to pick just one above all for street photography. But I can pick some that personally stand out a little more and tell you why.
So, now that I’m four years in and almost at my project goal of photographing over 100 major cities, it’s time for a 2019 installment of my Annually Updated Top 10 Cities for Street Photography. Heading into its 5th and final year, only cities I’ve photographed during my 100 city project are eligible, which finished off 2018 at 97 major cities across all major regions of the world. Check the list here to see all the major cities I’ve covered on the project so far.
2018 brought the most major cities covered in one year at 31, while also including a few of the most popular and well-known cities on their respective continent. These infamous major cities are also a few of the most known when it comes to street photography so they probably won’t shock many people seeing them now included in this year’s updated list. Still, after covering 97 major cities, it’s extremely hard to replace cities already on the list in order to narrow it down to a top 10. You can see which cities were edged out from last year’s list here, though.
(for 2019)
Istanbul holds a special place in my heart so I might be a little biased here. It was the first of my 100 major cities project, and the jumping off point for this blog and mix of plans and goals I’d set for myself. I lived here much of 2015, so I got to know it better than most cities too, but personal bias aside, I can’t imagine Istanbul not being towards the top of any street photography city list. Istanbul truly has it all.
Being the capital of three empires helps cram the city with so much to offer a photographer that other cities can’t compare. Culture, history, religion, politics, people, diversity, character, conflict, architecture, sea, sunlight, color, old world, new world, and the list goes on. It’s many worlds of atmosphere packed into one city. It’s no surprise it needs two continents to contain it.
You could live here for years and only touch the surface. The energy and atmosphere of Istanbul is what I miss the most, though. It feels more alive than other cities, with a raw beauty that I haven’t found anywhere else.
If you imagined the perfect city for street photography in your head, Havana might be what you’d picture. It’s extremely walkable, full of character, color and life around every corner, as photo friendly as it gets, almost too easy to shoot in, and all with an atmosphere frozen in time. The opportunities for photography are endless here. You can just walk in any direction and explore away.
Havana is also a city that invites you in with the people like not many, so it’s a complete experience for photography. The amount of times I get invited for a drink or even into someone’s home in Havana is something that you don’t experience elsewhere, especially in a large city.
Still, while Havana is no secret among photographers, people question me about it as much as any. “It seems too hyped, over photographed, packed with clichés, every photographer’s destination,…” and so on. And while the old car type clichés of Cuba do deserve caution when here photographing, it’s mostly a bunch of nonsense. You won’t find many photographers that have been here that regret it. Most fall in love just like everyone else. And believe it or not, there’s still plenty to photograph here. So my advice is to just ignore the clichés and get over here as soon as you can.
New York City is arguably the most famous city in the street photography genre today, so it’s not really a surprise to include it this list. Still, hype can create disappointment, but that’s not really something that should happen in New York City, especially with your camera. The place is just too special, unique and full of life and a variety of neighborhoods to explore. There’s only a few cities in the world that can compare, in my opinion. A good photographer can find interest anywhere, but if we’re being honest, photographers living in New York City might have a bit of an easier time finding it. It surrounds you around every corner. It’s not a coincidence that this city has supplied so many great photographs and photographers.
There’s really no excuse to ever get bored with photography in New York City, as there are so many different places to explore, all with their own character and life. It’s a world’s supply of human interest packed into one city and five boroughs. There’s a grittiness to its streets and life too. You’ll see and feel things you won’t anywhere else in the world. A melting pot of people and interest.
Saint-Petersburg is probably the least hyped and talked about city on my list, so why is it up at #3? Because people just don’t know how good it is. Now, the time of year does makes a big difference, but if you go in the summer, it doesn’t get much better for street photography. The winter can be beautiful in its own way too, you just won’t have many hours of light.
The summer in Saint-Petersburg might be my favorite place to be for street photography, though. The sunlight is out 20+ hours a day and the beautiful city is full of life just as long. More than that, though, there’s just something magical about the city. The canals, pastel colors, architecture, bridges, islands, hundreds of parks, and more give it this surreal atmosphere that has to be experienced. The life and people are full of character too. Many people go about their life without any care of what others think, so it’s not uncommon to see older women and men sunbathing in their underwear. At the same time, you have many people who care a lot, so you see a variety of fashion and looks. It’s a big, magical city with a mix of so many things.
Tokyo is another hyped big city on the street photography scene that doesn’t disappoint. A great thing about Tokyo is how great it is for street photography, while bringing so many unique differences to the table. While feeling big with endless life and places to explore, it contains an atmosphere and character that feels completely different than other cities near its size. Tokyo has this very unique tranquility somehow mixed into the most populated city in the world (by metro area). You’ll, of course, find chaos and crowds, especially at places like the famous Shibuya crossing, but as a whole, it’s a relaxing experience shooting here in a city that is so big and full of life. I can’t think of another city that blends these usually contradicting feelings so well.
Another aspect I really enjoy about Tokyo, and Japan in general, is its uniqueness. The rich culture here supplies so much unique authenticity, that for anyone not from here, it’s a feast for the senses. It’s full of quirks and character. Tokyo is also an extremely easy city to shoot in due to safety and the friendliness of the people. The latter should be taken with the disclaimer that part of the photo friendliness comes from the culture and people being as polite as it gets. Even if they might not want to be photographed, they won’t be aggressive or vocal about it, which many might want to consider when out shooting, as to not take advantage of. Tokyo mixes so much uniqueness into such a big city, that for many, it won’t get any better than here for street photography.
London is as well-known as any city in the world, and as famous for street photography as it gets, but sometimes cities don’t live up to their fame. London isn’t one of them.
One of my favorite aspects of London are all the different neighborhoods, each with their own character. It’s like different villages grew until they combined into one large city over time. It isn’t like New York or Tokyo, where skyscrapers dominate over you. London doesn’t feel overwhelming for a city its size. You can spend your days exploring parts of London on foot and get completely different atmospheres when it comes to photography. Some areas are chaotic and crazy, while others are quiet and relaxing. There’s something around every crooked, winding street, and you never know what it will be.
The biggest knock on London is the weather, which I can’t say is undeserved, but if you get some sun, the light here is special and it’s really hard to beat this city. It’s as dynamic and fun to shoot in as it is famous.
Mumbai was here on last year’s list, but I honestly expected Kolkata to knock it off this year’s list. Having already been to both cities in the past, Kolkata had originally left the best memories for street photography. But after returning to Mumbai in 2016 and Kolkata in 2017, while photographing them more in-depth, Mumbai closed the gap in my mind. It’s difficult to choose between them, as they each bring different pluses and appeal. India is so packed with cities for street photography that I’m just going to include both cities under one, while explaining their different appeals.
Mumbai is the financial, commercial and entertainment capital of India. If you go by population, Mumbai is the largest city in the world’s second largest country. If you go by money, it’s the wealthiest city in India, but with some of its most extreme poverty. Mumbai is also India’s most diverse, cosmopolitan and westernised city. Basically, Mumbai is everything and more.
Bazaars and temples, colonial architecture and skyscrapers, bay promenades and fishing villages, Asia’s biggest slums and Bollywood stars’ most expensive homes. Mumbai is filled with a variety of scenery and life that rivals any city in the world. It’s filled with an urban energy that consumes you and endless interest that keeps you wanting more. All of this adds up to one of the top cities in the world for street photography.
While not quite as big as Mumbai, Kolkata is still one of India’s biggest cities. Yet, it has a noticeably different, more easy-going and welcoming atmosphere compared to the others. It’s a city made for walking and street photography. While India’s other large cities are more spread out, Kolkata feels like you can walk everywhere. It has a special, old world feeling mixed into a big, urban city. It feels authentic, filled with culture and a chaotic, yet friendly vibe. The colonial-era architecture contrasting with urban slums, it’s also gained a reputation as the most friendly of India’s metropolises. While it might not be as known with the general traveler, it is known among the photography community. It’s made for bringing your camera and exploring away.
If I really had to choose between the two, I’d say Kolkata is easier and more enjoyable for a shorter visit, while Mumbai provides more variety and interest the more time you have. They’re both as good as gets for street photography, though.
I have to include a city from Ukraine, one of my favorite countries in the world for street photography. Kiev and Lviv both get high recommendations too, but if I had to choose one, it would be Odessa. I included it in last year’s list, but actually returned again since, which only cemented its place as a personal favorite.
I went to Ukraine for the first time in 2015 and fell in love. So much so that I’ve returned both years since. I like places that feel authentic, are full of character and mood, while being a little rough around the edges. Ukraine is all this more than any place I’ve been. There’s nothing fake about the atmosphere and it doesn’t feel over photographed. It’s more untouched, while still being a large country with plenty going on. And the markets are the best you’ll find anywhere. Odessa’s Privoz Market is no exception.
Odessa provides this atmosphere that I love, but adds the Black Sea and more. It’s become the country’s top vacation getaway with beaches that fill up during the summer. The city is filled with history and character, while being extremely walkable. You can enjoy the pedestrian streets, old courtyards, parks, and markets in the city, and then take a walk to the beaches to enjoy the very unique character, and characters, that fill it. They aren’t the typical tourist beaches you might be used to, either, which provides even more interest for street photography.
Marrakech is probably the most challenging street photography city on the list, but it more than makes up for it in photo opportunities and atmosphere. It’s one of the more interesting cities for street photography that I’ve been to, not only for the rich variety of life and scenes to capture, but also for this challenge that it brings. While comparatively, not a photography friendly city, it is one of the most photogenic cities you’ll find. Many photographers come here for that reason, but leave frustrated if they’re not prepared for the challenge. You have to be on your game if you want to get close, candid shots.
If you’re ready, though, you’ll be rewarded with all the life, colors, chaos, atmosphere, unique charm, and more that Marrakech has to offer. It’s chaotic, full of touristic hassling and haggling, and comes with some challenge, but as far as non-stop photo opportunities, it ranks as one of the best cities I’ve been too. There’s so much happening everywhere, so many characters and interesting people, so much color and beautiful scenery, and it’s all mixed in with a unique look that is all Marrakech. And that beautiful sun is always above making sure you have no excuse not to go out and capture some that.
Sao Paulo is another city where there really shouldn’t be much of a surprise it made the list, but it might not be on everyone’s radar as much as a New York City or Tokyo. In South America, though, São Paulo is not only the largest city on the continent, but also its center on the street photography scene. Brazil as a whole, contains the most photographers, but no city on the continent contains a passion for street photography like Sao Paulo.
Sao Paulo is also another city that contains a wide variety of neighborhoods to explore for photography, each containing its own unique character. Walking Paulista or exploring Bixiga and Liberdade, the city’s Italian and Japanese neighborhoods, are just a few of my favorite spots for photography. And while Brazil, and South America in general, doesn’t have the best reputation for safety, Sao Paulo feels like it has more safe areas to explore for photography compared to Rio de Janeiro and Salvador de Bahia, when it comes to the major Brazilian cities I covered on the project. A lot of the main streets and neighborhoods for a photography walk are kept fairly safe, especially for a big city in Latin America. South America has a special feeling for street photography that you won’t find elsewhere, so it can be a shame that perceived dangers can deter many. For me, though, Sao Paulo is definitely a city I’d recommend and like to return to for photography.
(See prior yearly list to read about these cities that narrowly missed my final list this year)
For 2019, I have plans to photograph to finish the final few major cities of the project, concluding at a total of around 103. With 97 major cities across all major regions already covered, every one of these cities on the list comes highly recommended and are sure to provide an amazing experience for street photography, and more. (To see what cities I have tentatively planned for this year, check here.)
2018 was year #4 on my Major City project, and my busiest year yet with 31 new major cities, as I really try to wrap things up. It was another non-stop year on the road without any breaks, which does takes its toll, especially living by the means I do and how much I put into the project every day. But we’re now at 97 major cities covered, so we’re finally closing in on my project goal of at least 100 major cities.
I started the year in Major City #66 Santiago, Chile and finished in #97 Yangon, Myanmar. So, with all those new cities explored and captured, which ones stood out more than others this year?
To give you a sneak peek of some of what’s coming here on Shooter Files (and in the future books), I’ll go over some highlight cities that stood out in 2018, including my top 5 for street photography from the year. Will any of these cities knock their way into my annually updated 10 favorite cities for street photography list? We’ll see next week, but for now let’s start with the past year’s city highlights.
Starting with a focus on street photography…
(in no particular order)
2018 included a couple of the largest and most popular cities in the street photography genre so it’s not really a surprise they’re sitting atop this list. Still, hype can create disappointment, but that’s not really something that should happen in New York City with your camera. The place is just too special, unique and full of life and variety of neighborhoods to explore. There’s only a few cities in the world that can compare, in my opinion. A good photographer can find interest anywhere, but if we’re being honest, photographers living in New York City might have a bit of an easier time finding it. It surrounds you around every corner. It’s not a coincidence that this city has supplied so many great photographs and photographers.
There’s really no excuse to ever get bored with photography in New York City, as there are so many different places to explore, all with their own character and life. It’s a world’s supply of human interest packed into one city and five boroughs.
Tokyo is another hyped big city on the street photography scene that doesn’t disappoint. A great thing about the two cities sitting atop this list is how great they both are for street photography, while bringing so many differences to the table. While both feel huge with endless places to explore and plenty of life, they contain very different atmospheres and character. Tokyo has this very unique tranquility somehow mixed into the most populated city in the world by metro area. Places like the famous Shibuya crossing, of course, are packed with chaos, but as a whole, it’s a relaxing experience shooting here in a city that is so big and full of life. I can’t think of another city that blends these usually contradicting feelings so well.
Another aspect I really enjoy about Tokyo, and Japan in general, is its uniqueness. The rich culture here supplies so much unique authenticity, that for anyone not from here, it’s a feast for the senses. It’s full of quirks and character. Tokyo is also an extremely easy city to shoot in due to safety and the friendliness of the people. The latter should be taken with the disclaimer that part of the photo friendliness comes from the culture and people being as polite as it gets. Even if they might not want to be photographed, they won’t be aggressive or vocal about it, which many might want to consider when out shooting, as to not take advantage of.
Major City #93 Tokyo, Japan
I also covered Osaka this year and while it’s hard to compare to Tokyo, it’s a great city for street photography as well. I enjoyed it quite a bit and it has some solid areas for exploring that bring a lot of what Tokyo brings, but with its own vibe and atmosphere mixed in. Osaka is a big city, but not like Tokyo, so it has its own charm that comes from that. It’s a little more gritty and less polished too, which brings its own appeal. Both have great nightlife for street photography too and many find that people in Osaka are a little less distant and reserved. Tokyo feels more modern, while Osaka feels a little more colorful, in my opinion.
This is another city where there really should be no surprise it made the list from the year, but it might not be on everyone’s radar as much as New York City or Tokyo. When you think about it, though, São Paulo is not only the largest city in South America, but also its center on the street photography scene. Brazil as a whole, contains the most photographers, but no city on the continent contains a passion for street photography like Sao Paulo.
Sao Paulo is also another city that contains a wide variety of neighborhoods to explore for photography, each containing its own unique character. Walking Paulista or exploring Bixiga and Liberdade, the city’s Italian and Japanese neighborhoods, were a few of my favorite spots and memories for photography. And while Brazil doesn’t have the best reputation for safety, Sao Paulo felt like it had more safe areas to explore for photography compared to Rio and Salvador when it comes to the major Brazilian cities I covered on the project. It’s definitely a city I’d like to return to for photography.
Lima may have been my best surprise among cities I already had high hopes for, meaning I knew Lima would be good, but it ended up probably being my second favorite city in South America for street photography. This could be partly due to my personal love for cities with life by the beach. Rio de Janeiro has the most famous big city beach life in South America, but Lima brings its own abundance of beach life with more of a local feeling and a bit more variety of character, in my opinion. For most, Rio’s beaches would probably get the edge because of their beauty, but I would put Lima right up there with it when it comes to street photography. It also has a long park above along the coastline for added street photography, and the downtown of Lima contains arguably more street photography opportunities in a safer package.
The mix of beach life, parks, urban city, grittiness and a variety of latin character in South America made Lima really enjoyable for street photography. It also is much more budget friendly after spending time in Brazil and more southern countries like Chile, Argentina and Uruguay.
While China obviously isn’t a city, I covered three of its major cities this year and decided to include it as a package deal sitting at #5 since it’s difficult to pick just one. If I had to choose just one city, though, I’d probably give Shanghai the edge, especially if you have time, because it gave the most variety and new places to explore for photography. Shanghai was a place that got better and better the more I explored with my camera.
Beijing and Chengdu both brought plenty of interest and unique character too, though. China has so much to offer street photographers with its abundance of interest and how its life is rarely boring, especially photographically. You’ll see a lot of things here that you won’t see anywhere else.
I spent some of 2018 finishing off my major African cities for the project, in cities where photographers don’t go as often. I’m primarily not including them in the above list due to their difficulties and dangers that won’t be for most, but I personally found them as highlights of the year for shooting. I’ll admit part of my enjoyment is the challenge and because other photographers steer clear from these big, important cities, leaving them less photographed, especially for day-to-day life. When it comes to photos and memorable experiences, they were the most challenging, but also the most rewarding.
In Accra, I had to battle power hungry security guards, and sometimes police, almost every day. I was attacked once and aggressively surrounded multiple times. It was exhausting and takes a ton of confidence, persistence and know-how to handle these situations, especially day after day. It can depend where you go, though, and I really did go everywhere, including places outsiders don’t go, especially alone.
While this brings bad experiences, overall it actually brought a lot more positive ones, as the locals usually react with wonder and respect seeing a foreigner alone in their neighborhood. It was more smiles and fist bumps than anything. In Accra, this was especially clear, as most speak English so we could talk about it. They’d ask me what I’m doing there alone and I was told almost every day how they’d never seen a foreigner in their neighborhood alone, and some places never at all.
One thing I really loved about Nairobi was the people’s style. No where in Africa have I seen such an attractive mix of urban cosmopolitan style meets business meets Africa. You’ll see suits here more than anywhere in Africa, but they don’t just keep it boring black and white, they like color. And so do I.
Montevideo, Uruguay was another one of my best surprises of the year, as it’s not the biggest city and gets labeled as a smaller Buenos Aires by many, but ended up packing plenty of unique interest into a smaller package perfect for walking. It was also the safest feeling major city in South America and I especially enjoyed walking La Rambla, the oceanside promenade, for photography. And who can not love their obsession with sipping mate all over the city.
San Salvador and Guatemala City were another couple happy surprises. They’re known as two of the more dangerous cities in the world, which scares most people away, but I found them doable, while packing in a ton of authentic interest for street photography. There’s a grittiness and character to their streets and while you do have to be street smart and observant, I actually found them safer and friendlier during the day for photography compared to some other cities I’ve been.
While I already mentioned New York City, 2018 was my first time on the project extensively covering a few major cities in my home country. I covered and taught a workshop in Las Vegas, covered San Francisco while guest speaking and judging at the StreetFoto Festival, and stopped to cover Los Angeles in between. Not being a foreigner in these cities ended up not making much of a difference for me when it came to photography, which was nice. I was able to shoot the same way without finding it any less interesting or more difficult than most cities elsewhere. Maybe it’s seeing so many different places now, but the exotic isn’t as impactful as it once was and while sometimes I miss that feeling of culture shock, for street photography I do think it’s helpful seeing past that where you see the basic life around you, not the flash veneer that travel magazines try to highlight.
Finishing off the year were a couple personal highlights. One, covering Taipei where I was graciously shown around by local photographer TC Lin and Chenbl Chen, and where I also gave a talk to their photography class. And in my last major city of the year, Sydney, I not only covered the city, but also co-lead a workshop with local photographer Sam Ferris for Aussie Street, which was a great experience.
I could honestly keep going and end up talking about things I liked about photographing all 31 major cities of 2018, but I’ve already gone on more than long enough. There’s always something special and unique about each city if you explore it enough your camera.
All of these cities, and more, from 2018 will bring posts, photography and guides in 2018 on the blog so stay tuned for that. And if you have a chance to visit any of them before I post guides, feel free to message me for some recommendations (you can always find an updated list of cities here).
Now, it’s time for 2019 where I hope to finish up on this 5 year major cities project. 97 major cities down, only 3+ to go, and possibly a few returns to earlier cities covered…
